CASIO
SA-65 |
small
keyboard with interesting lo-fi wavetable sounds, LCD display & lovely
demos |
|
|
This is the top of the line model of the Casio
SA series. While the sound set corresponds quite much to the Casio
SA-1, the rhythm set and song bank resemble more the Casio
SA-35. Great is that it has in opposite to its predecessors 37 midsize
keys, and an LCD which indicates besides some parameters the note position
of currently played notes on the note lines graphically.
This instrument was later re- released as Casio SA-67 (with silver
control panel and blue display frame).
main features:
-
37 midsize keys
-
2 built-in speakers (ca. 8cm, mono)
-
main voice polyphony 4 notes
-
100 preset sounds (same sound names like Casio
SA-1, selected by 2 digit numbers)
-
30 preset rhythms (selected by 2 digit numbers):
-
rhythm {16 beat, 8 beat, pops, rock, swing, slow rock, shuffle, march,
samba, waltz} (without accompaniment}
-
free session {rap, pops, rock, jazz, house, funk, latin, carnival, country,
classical} (with accompaniment in fixed- key, thus of little use)
-
funny {cheer, fanfare, hopper, computer sound, horror, child's play, orient,
jungle, accident, comedy} (fixed key accompaniment)
-
cipher buttons {"0".."9"} to select preset sounds, rhythms & demos
-
volume +/- buttons (5 steps, reduce bit resolution badly)
-
tempo +/- buttons (16 steps)
-
LCD display (shows parameters, metronome, currently played notes on their
lines)
-
wavetable sound generator with sounds based 2 mixed low- res loop samples
with independent, partly very complex algorithmic volume and pitch envelopes.
-
CPU "OKI M6387B-A28, 904231A" (30 narrow pin DIL) + separate LCD controller
IC "LC75821, 9CD1" (64 pin SMD)
-
crystal clocked
-
10 demo melodies song bank (wonderful complex polyphonic orchestrations)
-
"melody off" button (mutes the main voice of the demos to play to them)
-
AC- adapter jack
|
|
|
|
eastereggs:
-
volume control setting changes tempo of algorithmic sound patterns (e.g.
mandolin ring)
notes:
All sounds of this instrument sound cleaner and less harsh than with Casio
SA-1. I am not sure if the output DAC bit resolution is increased
by external discrete components (demultiplexer?) or if it is just better
filtered. Like
other SA series keyboards,
also the SA-65 has a 30 pin CPU of the "OKI M6387" family, but this one
has additionally an LCD controller IC on the back of the PCB. Unlike other
SA keyboards, pressed buttons play no noises here (likely because the LCD
gives visual feedback instead) and thus don't disturb live performance
anymore. Unfortunately the user interface has a small design flaw: the
volume or tempo buttons always switch the control panel into volume or
tempo entry mode (the mode is indicated by an arrow on the LCD), in which
no preset sound or rhythm can be selected anymore (despite the cipher buttons
can not be used for volume/ tempo entry anyway), thus you have to
switch it back by pressing the "tone" or "pattern" button again each time
you select a sound or rhythm after changing volume or tempo. This is no
severe problem since you can access these buttons with one hand together
with the cipher buttons, but it still disturbs some live play tricks. (Like
with other SA series keyboards you can e.g. hold notes and switch the preset
sound or volume, which then only affects new played notes while the old
note keeps playing on its initial sound until you release the key. Also
the pattern speed of ringing mandolins etc. still changes the known way
with the volume setting.) The volume can not be set much lower than average
room loudness. There is also no sound output jack despite the PCB has empty
solder holes for it; the similarly sized Casio
SA-35 still had one.
The preset sound set resembles very much the 100 ToneBank of
Casio
SA-1 (see there), but by the
longer keyboard you can play 5 additional lower notes here. There are only
few differences; e.g. the "metal guitar" and "metal lead" play a different
chord. Also the split points of split sounds are different (to fit to the
longer keyboard), and the pitch of some non- melodic sounds is different.
A bit annoying is that the "sample percussion" (sort of gong with orchestral
hit) plays here only on a fixed pitch, while on SA-1 many pitches (narrower
than normal tone scale) were distributed over the keyboard. But in comparison
to my Casio PA-31, most
sounds on the SA-65 play a bit more sonorous, more open and clearer, while
the PA-31 sounds more pale and muffled. Generally I like most of the SA-65
timbres better.
The rhythm set resembles much the Casio
SA-35, but has a few additional rhythms. Unfortunately the accompaniments
are still fixed- key and thus badly suited for melody play, but they can
be inspiring for tekkno- like things. The new pattern "cheer" is a squarewave(?)
organ fanfare loop (like from a historical videogame) while "accident"
is a synth loop with ambulance siren and photo camera clicks.
The
LCD shows 5 parameter values {volume, tempo, sound no., rhythm no., song
no.} one at a time; an arrow indicates the parameter name. When you play
notes, the LCD shows black dots on their note lines, which can be useful
to learn which keys belong to which note pitches. When only flats (white
keys) are pressed, it displays their note dots simultaneously, while with
sharps (black keys) it cycles through them alternatingly with about 2Hz
by the lack of separate "b" and "#" symbols for the individual notes. It
can only show black dots (like full notes) and not different note characters.
During rhythm or demos a metronome with flashing notes and a walking dot
row is displayed. |
The instrument has a song bank of 10 wonderful orchestrated polyphonic
demo melodies:
-
Ode to Joy
-
Twinkle Twinkle Little Star
-
Santa Lucia
-
Yankee Doodle
-
Minuet (J.S. Bach)
-
On the Bridge of Avignon
-
Silent Night
-
Aura Lee
-
Skaters Waltz
-
Little Brown Jug
They can be played separately or repeated in a sequence. With the "melody
off" button the demo songs can be started with main voice muted to play
to their accompaniment. Unfortunately this button does not take effect
while the music is playing, thus you can not switch back and forward to
simply mute the main voice, improvise a few bars and continue with the
original melody track like on most other keyboards with this feature.
A new case variant of this instrument was apparently released as Casio
SA-75 (different silver metallic case, same features, seen on eBay.)
The case design of Casio SA-65 was blatantly imitated in the Jin
Xin Toys JX-20165 and (less extreme) the Elecking
- My Party Piano.
removal
of these screws voids warranty... |
|
|
|
|
|
|
back
|
|