This FM keyboard from 1997 is nothing really great and behaves unpleasantly stubborn and unflexible, but it has many demo musics. Its special features are the "ad-lib" (simply a pre- programmed monophonic melody fill-in track) and "harmony" (trio) function, those Yamaha gladly named "computer aided music".
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The main voice sounds of this instrument are plain ordinary 2-operator FM. Unfortunately the sound set is strictly focussed on natural instruments (fairly realistic imitated) and include no typical synth or tekkno sounds. No even the "mandolin" rings. The "ensemble" and "dual voice" sounds layer 2 subvoices to create more complex timbres. The "harmony" button turns the main voice into a monophonic trio. During accompaniment it plays in the corresponding key.
(The full sound list can be found in the manual of this instrument, downloadable on the Yamaha Manual Library site.)
The "ad-lib" button plays for the duration of a bar (or so long the button is held) a monophonic jazzy improvisation part in the style of the selected rhythm. It can be played to it, and with accompaniment it plays in the same key. This concept exists in a more versatile and sophisticated form also in Kawai keyboards like the Kawai MS20 or MS720.
The rhythms consist of only 4 thin sounding low- res samples, and selecting
a new rhythm (white keys + select button) waits until pattern end before
the change takes effect. The single finger accompaniments sound good and
employ many different sounds, but they behave static and unlike e.g. the
great Yamaha PSS-390 there are
neither fill- ins nor intro/ ending features. The disco patterns are nice,
and their rough and slightly harsh sound style has some similarities with
Casio
MA-130, despite the PSS-16 has FM timbres while MA-130 is completely
sample- based. Unfortunately there are no separate rhythm or accompaniment
volume controls, and there is no manual chord mode without rhythm, which
is particularly annoying because only during accompaniment the key of the
"ad-lib" and trio sounds can be changed.
circuit bending detailsThe Yamaha PSS-16 is based on the single-chip CPU "Yamaha YM7137 3D" (crystal clocked @ 3.58 MHz) with amp IC AN7148 (12 pin SIL). The hardware of PSS-9/PSS-50 and the fullsize PSR-2/PSR-3 are more or less castrated versions of these.Also PSR 18/19 are similar, but have apparently small rom changes (CPU "YM71374E") to control an additional digital reverb chip YM7133A (LRV, with external DRAM).
keyboard matrixThis keyboard matrix is based on partial schematics photos of Yamaha PSS-190 and PSS-50, and the service manual of Yamaha PSR-3. The keys are grouped by 6. The lower octave is only available with installed diode 'model select 3'.
The input lines are active-low, i.e. react on GND. Any functions can
be triggered by a non- locking switch in series to a diode from one "in"
to one "out" pin.
I haven't tested anything of these by myself, but Traktor told me by e-mail about this. The Yamaha PSR-18 has 'echo' and 'reverb' instead of 'volume -' and 'volume +' and supports 61 keys by additional matrix output pins 15..17. fingered accompaniment In Yamaha PSR-3 the power/mode slide switch {off, normal, single finger, fingered} can also select fingered accompaniment. This locking 4 position switch pulls in 'single finger' mode cpu pin 33 (N6), and in 'fingered chord' mode cpu pin 34 (N7) through each a 2.2k resistor to GND. In 'normal' mode it is open, and in 'off' mode it disconnects power by pulling the base of a transistor to GND. Thus install a locking switch with 2.2k resistor from pin 34 to GND to enable it. It may be a good idea to wire here a 2 position switch in series to the single finger chord contact to make it select between pin 33 and 34. keyboard length, octave switch, key split position Traktor identified in schematics a model select feature of the "YM-7137 3D" CPU to change the octave setting and keyboard length by a fixed diode from pins 28..30 to 35. You may install a switch in series to a diode here, but regard that will be only recognized during reset. model select 1 = PSS-190/PSS-16
It is unknown whether the 'model select 1' diode is necessary at all or anyway the default mode of the CPU. In PSR-18 schematics I see no such diode, but its CPU "YM71374E" has a changed rom to control a reverb IC and 61 keys. According to d-tech, Yamaha PSR-100 has the software number "5F". According to schematics photos, the original PSS-190 and PSS-50 CPU is "YM7137" (part no. XH242A00) and so may slightly differ from the "YM-7137 3D" (X1257A00) of the others. Traktor told me that in his PSS-190 only in "model select 1" mode the output of dual voice sounds is stereo (else both pins output the same). Its fingered chord split point in all 3 modes is F#1. More advanced fullsize variants (61 keys, CPU "YM7137 4E", reverb & echo by additional IC) were Yamaha PSR-18/ PSR-19 (mentioned by d-tech, who analyzed this CPU). D-tech mentioned that Yamaha PSR-100 has software number "5F". pinout YM7137 (OPJ)The FM Tone Generator "Yamaha YM7137 xx" (40 pin DIL, xx = software number of internal rom?) is the CPU of various 1990th beginners keyboards with "Ad-lib" button. It contains 8 note polyphonic 2 operator FM sound hardware with lo-fi sample percussion. Beside its single chip mode, it can be also used as a sound IC controlled by an external CPU (set by 2 mode select pins). According to d-tech, the OPJ sound engine is similar like OPK, but lacks firmware features for realtime envelope control. Hence the only 4 PCM percussion samples likely use heavy dynamic compression with volume envelope. The keyboard matrix supports up to 16 outputs and 6 inputs.
This pinout is based on partial schematics photos of Yamaha PSS-190
and PSS-50, and the service manual of Yamaha PSR-3.
The operation mode of this IC is controlled by 2 mode select pins (seen
in PSR-3 service manual), which is recognized only during reset. I don't
know details, but d-tech
has analyzed the data protocol how to control the YM7137 by an external
CPU. All released keyboards seem to use only the "single chip mode", so
the rest may have been intended for prototypes or testing.
In mono keyboards like PSR-3 and PSS-50 the audio out pin 25 (OUT1) is unused. The key matrix input pins 27..33 and also 11..14 (because they use an I/O port of the microcontroller) have each a 47k pullup resistor. Interesting is that the clock frequency 3.58MHz matches Holtek - Ad-lib Micro®, a single chip sound microcontroller series which was the heart of My Music Center and similar 1990th toy grade tablehooters. Despite these don't support FM and sound more primitive, they combine synthesized electronic main voice tones with lo-fi sample percussion and thus may have technical similarities. E.g. in Holtek HT3670 even pin names of matrix ports {PA#, PB#, PC#, PD#} match, and port PA is used for key matrix in. |
The PSS-16 has a song bank of 15 polyphonic demo melodies. They are not bad, although these ones are way simpler orchestrated than on Yamaha PSS-6 or PSS-31 and sound rather establishment.
A shorter mono variant of the PSS-190/ PSS-16 was released
as Yamaha PSS-50 and PSS-9. These have only 32 keys and thus
lack the first 3 rhythms and 2 demos (since they are selected by the missing
5 leftmost keys) and also lack drumpads. Unlike the light blue control
panel of the PSS-16, the PSS-9 panel is brown. A fullsize version with
one speaker was released as
Yamaha PSR-2/ PSR-3 (49 keys,
fingered chord, no drumpads, no 2nd functions on additional keys) and with
2 speakers as PSR-100 (all seen on eBay).
| removal of these screws voids warranty... | ||
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